From today onward I’m gradually adding subtitles to my Sakuga MADs. These subs will let you to watch my videos with the source and animator information onscreen. The info can be turned on and off by toggling the English subtitles.
In my opinion the default YouTube subtitles look too big in a Sakuga MAD: here’s how to change their appearance to make them fit better in the video.
These settings should remain as you watch other YouTube videos. In my opinion this makes the source info look nicer and less invasive.
Let me know what you think about these subtitles in the comments.
Sakuga MADs are animation highlight reels, made to collect, celebrate and appreciate the work of animators. There can also be craft put into the making of these MADs themselves as they can give the viewer a way to experience animation they may have seen many times before in a new light. Good MADs highlight the effort that goes into animation and can make you look at a body of work in a different light.
I thought it could be interesting to talk about how I make my videos, some editing techniques that are common in Sakuga MADs and what, I think, makes a good Sakuga MAD.
“Good animators can make a good story a knockout. There is not much that the best animators can do with bad stories”- Walt Disney
Anime has the potential to give us unique experiences. Japan’s animation industry is filled with culture and perspectives that are missing from Western films. However, this culture is too often used as fancy dress on familiar archetypes. Many popular anime tropes simply show or sometimes celebrate ugly sides of human nature as opposed to exploring them. This is part of what makes anime directors like Hayao Miyazaki or Mamoru Hosoda good. Their films are full of rich meaning and they often subvert and scrutinise harmful anime tropes. This context makes Makoto Shinkai’s Your Name disappointing. Shinkai’s film is technically excellent but severely lacking in meaning and humanity. Pretty visuals are its key focus and are meant to distract from its hollowness. It’s not an awful film, but it’s not a very good one.
This is the first of a series of blog posts I plan to do where I’ll give an overview of an animator’s career, highlight what they’re most famous for and say what they’re doing today.
Today’s post is about James Baxter. Baxter is a British animator who did his most well known work at Disney in the 90s (1). The first credit he has as an animator is on Who Framed Roger Rabbit. He animated Roger, Jessica Rabbit and the Weasels in some shots (1). His animation style is soft and rounded with complex physics. He complemented and helped set Disney’s softer animation style in the 90s.